Some four months ago I wrote about the records that I value the most – those signed by
musicians I've talked to who once played or sang with Elvis. Since
then I've added another two singles to that category.
In fact, they were both signed at the
same night, when The Original Elvis Tribute 2012 played the Swedish town of Vara, on April 7. This show features some of Elvis' original
musicians, among them bass player Duke Bardwell.
The first single happens to be one of my favorite Elvis songs, the 1975 rocker “T-R-O-U-B-L-E.” As it's also the only recording from the March sessions in Hollywood where Duke Bardwell's bass parts weren't removed, I thought it the perfect record for him to sign.
“It's a great song,” I told him during the intermission. “Yeah, it is, isn't it,” he answered while writing his name on the cover as well as the label on the record itself.
A couple of minutes later I managed to
get a few moments with backing vocalists Mary and Ginger Holladay,
who turned out to be two very nice and charming ladies. As the first
time they sang backup for Elvis was during the famous 1969 American
Sound sessions in Memphis, I thought it appropriate to bring along
one of the resulting singles.
Handing over “Don't Cry Daddy”/”Rubberneckin” I asked them, “You did sing on 'Rubberneckin''?” fully well knowing that no female voices were present on “Don't Cry Daddy.” Mary assured me that they did, and then they both signed the cover.
Handing over “Don't Cry Daddy”/”Rubberneckin” I asked them, “You did sing on 'Rubberneckin''?” fully well knowing that no female voices were present on “Don't Cry Daddy.” Mary assured me that they did, and then they both signed the cover.
Attending the show and meeting these
musicians was an incredible experience, and the autographed singles
will always remind me of that. Now, the only thing that could have
made that night even more special would have been the presence of
musician and songwriter Michael Jarrett. He was part of The Original
Elvis Tribute in 2009 and 2010, but unfortunately I was never able
to attend any of the shows back then.
I am, however, honored to have Michael
Jarrett among my readers, so recently I sent him an e-mail, asking if
I could send my copy of the single “I'm Leavin'” for him to sign.
“I'm Leavin'” is one of the best songs Elvis ever recorded, so
this would really mean a lot to me.
When Michael Jarrett answered that he would be honored to sign it, adding “we'll have to send Elvis across the ocean a couple of times to do this, but I think it will work,” it really made my day.
When Michael Jarrett answered that he would be honored to sign it, adding “we'll have to send Elvis across the ocean a couple of times to do this, but I think it will work,” it really made my day.
So, right at this moment, next to my
computer, lies a package marked “fragile, handle with care,” the
single resting securely inside. Tomorrow it will begin its journey
across the ocean, and I can't wait for it to return.
2 comments:
Why didn't you just send the sleeve?
Good question! I sent the single as well because I've asked Michael Jarrett to sign the label on the record too, as his name is listed there. Thanks for asking!
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