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Showing posts with label Rehearsals. Show all posts
Showing posts with label Rehearsals. Show all posts

Thursday, May 24, 2012

From Hawaii To Las Vegas

Having barely recovered from the news that Ernst Jorgensen's long delayed Sun book/CD project will be released in August, I was amazed to learn that one of the four new June FTD titles announced today is an unreleased 1973 rehearsal.

The new 5” digi pack release, From Hawaii To Las Vegas, is an originally recorded cassette recording of Elvis' January 25, 1973 Las Vegas dress rehearsal for his January/February 1973 season at The Las Vegas Hilton. The rough audio quality is more than compensated by the fascinating insight into how Elvis worked in order to create his shows. With little talk, and a lot of music, we are invited to a first row presentation of what he had in mind, and yet he decided to change the repertoire the very next day. Among the many songs is “Separate Ways” - rehearsed with and without the orchestra - a song that Elvis chose to never perform in public.

Tracklist:
1) Something 2) You Gave Me A Mountain 3) Steamroller Blues 4) My Way 5) Love Me 6) It's Over 7) Blue Suede Shoes 8) I'm So Lonesome I Could Cry 9) Welcome To My World 10) I'll Remember You 11) Long Tall Sally/Whole Lotta Shakin' Goin' On 12) An American Trilogy 13) A Big Hunk O' Love 14) I'm Leavin' It All Up To You 15) Faded Love 16) I Can't Stop Loving You 17) Separate Ways - with band 18) Separate Ways - with band and orchestra 19) Bridge Over Troubled Water 20) Can't Help Falling In Love - incomplete. Recorded on stage January 25, 1973 at the Las Vegas Hilton.

Browsing different Elvis websites it's apparent that fans are thrilled with this upcoming January 1973 rehearsal. So am I. It will be especially interesting to listen to Elvis tackling “Separate Ways,” what a surprise to see that song among all the ones he rehearsed!

As for the sound, the Elvis Information Network states, “The one track 'I'm Leavin' It All Up To You' was previously released on the FTD Stage Rehearsal […] The audio quality was pretty good.” And listening to it right now I have to agree (although it's certainly not in the same quality as the songs included on the From Sunset To Las Vegas FTD release, featuring Elvis' rehearsal on August 16, 1974).

Whew! First the Sun project and now this unreleased rehearsal out of the blue. Thirty-five years after his death, it's still exciting times to be an Elvis fan. 

The three other June releases announced from FTD are: the first volume of G.I. Blues in the classic album series, That's The Way It Is on vinyl (stunning looking cover on that one!) and finally the book From Memphis To Hollywood.

Wednesday, July 6, 2011

"First Impression Is Not So Good"

Yesterday I found an update about the recent FTD album Stage Rehearsal on the excellent Elvis In Norway website. This is the first official release of the show rehearsal Elvis did on August 10, 1970, in Las Vegas, which pleased me when it was first announced. What I read about it did not.
Out now, but first impression is not so good! The sound quality is great, but too many edits are evident. The most HOPELESS of all is the vocal edit on 'Polk Salad Annie' (Polk A Little Sock Salad'). You can still hear Elvis talking about "overweight little woman etc..., but it is only a bleed from other microphones. This vocal edit is utterly pathetic, really!! What's the harm!? FTD is obviously going for the old Parker - good clean fellow - philosophy! I'm embarrassed by this, really.

Songs that are incomplete from start are patched together with a live take of the same song, with audience reaction and everything. And it do so NOT WORK. Most annoying is 'Something', but also two versions of 'You've Lost That Loving Feeling' have lost their charm with the same opening sample on both takes... Ouch!!

According to the short review of the same album at ElvisNews.com, the liner notes stated that there was some repair necessary because the intros were missing, but I never thought much about it. Until now.

I probably could understand the decision to tamper with the material in this way if Ernst Jorgensen was aiming for the general public. But the Follow That Dream label is a collectors label for the fans. And as one of them, I want the material presented in the way it was recorded, with late starts and all. Surely not manipulated in this way.

I'm also disappointed that Ernst Jorgensen didn't tell us about his approach to this material when the announcement about the June releases was made.

It's been ten years since we had an official release featuring rehearsals from That's The Way It Is, and when another one finally comes along it's done like this. What a shame!